 But they were also some of the first to experiment with "benizuri-e", or "rose prints"; at this time, printers began to use color on the woodblocks, coloring the prints directly during production, instead of by hand afterwards.Up to five different colors could be used in one print, but the overall effect was still far simpler than the "nishiki-e" (multicolored "brocade" prints) which would emerge later.The artistic developments and adaptions by Kiyomitsu, allowed for a specific style of the Torii School, which was called "Ie-No-Ho."