 After years of playing cafe-style jazz with a pianist and conventional rhythm section, in 1973 violinist Grappelli returned to the "hot club" style once more with the support of acoustic guitars and double bass at the instigation of guitarist Diz Disley.Grappelli's popularity and public appearances helped to rekindle an interest in gypsy jazz among listeners who were too young to have experienced the prewar Quintette of Django Reinhardt.In the 2010s and 2020s, as in the past, the gypsy jazz style (which has become a part of their own "folklore", taking Reinhardt as a role model) is once again passed on from one generation to the next in Manouche/Sinti gypsy communities, children learning from their relatives at an early age, able to master the basics almost before they can hold a normal-sized guitar in their hands.