 Decades before this essay was published Heller had used the expression negative transcendence, for which he is still remembered, to describe the particular quality of the visible reality adumbrated in Kafka's compositions, and particularly discernible in "The Castle".In Kafka’s world, contingent reality has been completely unhitched from the realm of the intelligible, from Truth that is—a positivistically ruled domain where the mutual causal relations between things preclude any reference to the transcendent in the elucidation of their meaning.Yet, it is the transcendent that constitutes a major part of that meaning (if indeed it does not exhaust it completely).