 Each patient had their own specially designed cupboard, fixed to the wall and off the floor so as to aid in cleaning beneath it.Another key Finnish modernist architect from that period, who had also gone through Nordic Classicism, and who was briefly in partnership with Aalto – working together on the design of the Turku Fair of 1929 – was Erik Bryggman, chief among his own works being Resurrection Chapel (1941) in Turku.However, for Giedion the importance of Aalto led in his move away from high modernism, towards an organic architecture – and as Giedion saw it, the impulse for this lay in the natural formations of Finland.