 The competition was won by Sipinen.But in contrast to Aalto's vaguely organic or, as he himself termed, an "Athenian acropolis layout" (i.e., individual non-rectangular-shaped buildings set within a park landscape and with long vistas into the distance), Sipinen's scheme involved a Structuralist-inspired layout, part strict rational grid, with distinct rectangular-shaped buildings, and part urban "Kasbah", as he himself termed it, with alleyways and courtyards, albeit continuing the use of redbrick which Aalto had also followed from the existing buildings on the site dating from the 19th century.During the following decades, Sipinen would continue the same Structuralist form language in the design of the Espoo Cultural Centre (1989), as well as in the University of Jyväskylä's other campuses at Mattilanniemi and Ylistönrinne, though building the entire new campuses in "white".