 Nevertheless, Iran’s foremost film-maker has succeeded in locating reasons for optimism among the nearly two million orphans left helpless by the ravages of civil war and AIDS.Set in a refugee camp in Kampala, Uganda, Kiarostami intersperses scenes of women and children dancing, singing, and laughing with somber images of the death rampant from numerous diseases.Sometimes critiqued as touristic, there are several scenes of the children laughing, making faces at the camera, and being astounded as they watch their friends be recorded.