 In this period's later part, Jackson would move to London to supervise the scoring and to continue editing, while having a computer feed for discussions to The Dorchester Hotel, and a "fat pipe" of Internet connections from Pinewood Studios to look at the special effects.He had a video link and 5.1 surround sound to organize meetings and listen to new music and sound effects generally wherever he was.The extended editions also had a tight schedule at the start of each year to complete special effects and music.