 To achieve a sense of the mystical with a sharp lens, however, Connor photographed items and structures that are already perceived as mystical in themselves.In India and Nepal, she found sacred landscapes with ritual magic that she could photograph with a sharp lens and still achieve a sense of timelessness.Connor’s books present her photographs without titles (which are given at the end of her books) and with the places mixed up in no recognizable geographic or chronological order according to emotion and tone.