 The name of the masque's designer is not recorded in the historical sources; some scholars have argued that he may have been Inigo Jones, who had recently returned to England from the royal court of Anne's brother Christian IV of Denmark, and so had a connection with her courtly establishment.The stage set had clear similarities with Jones's later masque work; the set for "The Vision" consisted of a large mountain, plus a Temple of Peace and a Cave of Sleep at the opposite end of the hall.Daniel's text draws on classical mythology.