 "The shaping of the back, in Bisiach's instruments, can be identified by the accentuated hollowing out that emphasizes the border, which is rounded.The inlay has a large central white strip and two very narrow black threads, short and slightly closed corners, an echo of the Stradivarian style.The F holes are cleanly and precisely cut, while the columns of the ribs are clearly inspired by the classic Cremonese school.