"Jonathan Keefe of Slant Magazine heavily criticized the album for being one of the worst the Nashville music assembly line has to offer, with hook-less guitar-driven tracks and cornball ballads being delivered through Adkins' limited range as a performer, concluding that it "isn't awful in any of the creative or important ways that would make it truly dangerous, but in perpetuating every unfortunate, ugly stereotype of the genre, "Dangerous Man" is still an embarrassment."