 The album is pretty laid-back, with big themes rather than particularly strong melodies, but they made a good noise, and really didn't sound much like anyone else.On the Mellotron front, as with so many bands, most of the use (by Greenslade himself) is in the large string chord department, although I believe I can hear cellos on the intro to "Drowning Man" and a faint flute part in "Temple Song".The best use is probably in fans' favourite "Feathered Friends" and "What Are You Doin' To Me", although every track has at least a few seconds, taken to a ridiculous extreme by the single closing chord in "An English Western."