 She sculpted pieces that weren't fixed in a position, but rather invited viewers to participate in rearranging modules.Many of the forms, such as a black-stained fir piece titled "Haida", resembled the look of Northwest Coast Native American art.Chase felt the inspiration came from pieces she'd seen at the Alaska-Yukon-Pacific Exposition (of 1909) that were on the University of Washington campus when she attended classes there.