 Another of the great exponents of Cusqueño mannerism is the painter Luis de Riaño, born in Lima and a disciple of Italian Angelino Medoro.In the words of the Bolivians historians José de Mesa and Teresa Gisbert, authors of the most complete history of Cuzqueño Art, Riaño lords in the local artistic environment between 1618 and 1640, leaving, among other works, the murals of the church of Andahuaylillas.Also it emphasizes in these first decades of the 17th century, the muralist Diego Cusihuamán, with works in the churches of Chinchero and Urcos.