 She derides the "derivative, prescriptive, imitative, and affected" and celebrates the "natural, innovative, [and] imaginative".Evincing a particular regard for the works of Thomas Holcroft, such as "Anna St. Ives" (1792), Wollstonecraft celebrated their championing of innate nobility and virtue over aristocratic titles.Romanticist Anne Chandler argues that Wollstonecraft's reviews demonstrate "an earlier Augustan politics of knowledge, variously outlined by Dryden, Pope, and, to a lesser extent, Swift" which "may be seen in her insistence on a continuum between aesthetic integrity and civic virtue; her belief in a metaphysical dialogue between human wit and divine Nature; and her perception of belletristic criticism as the proper tribunal for a new onslaught of scholarly and scientific research".