 As the century went on, small mixed consorts of unlike instruments remained the norm.Regardless of the type of ensemble, a heterogeneous texture prevailed in these ensembles and in the works they played; each member of the ensemble had a distinct part in the texture, which they played through from beginning to end.In the late sixteenth century, however, Andrea and Giovanni Gabrieli at St Mark's Basilica in Venice began experimenting with placing diverse group of performers – instrumental and vocal – in antiphonal locations around the vast interior of the church, in what became known as "cori spezzati" (divided choirs).