 Thematic transformation, like cyclic form, was nothing new in itself; it had already been used by Mozart and Haydn.In the final movement of his Ninth Symphony, Beethoven had transformed the theme of the "Ode to Joy" into a Turkish march.Weber and Berlioz had also transformed themes, and Schubert used thematic transformation to bind together the movements of his "Wanderer Fantasy", a work that had a tremendous influence on Liszt.