 In Titov's music the text is the most important element, as it defines both the overall form and the shape of the melodic lines, sometimes resulting in accomplished word-painting.The musical language is largely tonal; melodic lines are treated individually in horizontal manner, with many motivic ornaments.Titov's textures in his large-scale works suggest that these pieces were meant not to separate the choirs in alteration, but to unite them, so there is no direct connection to the antiphonal style of the Western Baroque.