 The plays by Vishnudas Bhave and later playwrights were distinguished by excessive prominence to songs and music but Vinayak Kirti's Madhavrao Peshwa had absolutely no songs or musical recitals; instead the whole drama was acted with dialogues which were totally in prose.Here the Marathi drama branches off in two directions - Prose Plays and Verse Plays.Now the Marathi Theater was on its un-interrupted march.