 She was a member of the board of twelve directors which was formed by the most prominent actors themselves to manage the theater after it became a private theater in 1740, and one of four women directors alongside Johanna Löfblad, Maria Margareta Fabritz and Sophia Catharina Murman.Her roles are mostly unknown, which is the case also with the rest of the actors.The activity of the first national stage in Sweden is poorly documented and the casting lists for the plays are often missing.