 Impressed at how the photographers' documentary style relieved them of the self-conscious need to adopt an artistic technique, Salt photocopied the book with an eye to painting some of its images.Salt's painting "Untitled" (1967) was a pivotal work in this respect, being very closely based on Winogrand's photograph "New York City" (1959); both featuring a closely zoomed image of the inside of a car viewed from the outside.Despite the very high degree of similarity between the compositions, Salt's painting was still clearly an artistic interpretation of the photograph, however.