 Notable is the figure of the kneeling man on the right, who is removing his shoes while looking with curiosity at the scene, while traditional portrayal is again seen with God giving his blessing between the angels, in the upper area, which is in a quasi-Late Gothic style.The graceful landscape in the background is divided by a spur which creates a frame around Christ's figure.The two pairs of figures at the sides, again hastily painted, were executed by Ghirlandaio's workshop following his design.