 His 1955 commission for Monsanto Company, "Mistress of Chemistry," deploys his wife Harriet in imagery combining traditional depictions of the Madonna; his 1953 "Crucifixion" receives extended discussion (pp.83–84) in Robert Henkes' "The Crucifixion in American Art" (McFarland P, 2003).The Brauer Museum at Valparaiso University has three religious works in its permanent collection