 The book is lavishly illustrated with both color and black-and-white reproductions of key artworks, helpfully referenced from the text which explains their relevance to the themes in question.Partly reconstructed from Schorske's articles published in the "American Historical Review", the book is structured into seven thematically interlocking chapters.Each chapter considers the interrelationships between key artists with the development of psychoanalysis and what was — at the time — viewed as an end of history.