 Mark Shortliffe took over as co-editor in 2009 for issue 4.Each issue brings together poetry, critical writing, visual arts, unpublished rarities, oddball ephemera and other culturally significant material in a way that is exciting, contemporary and fresh.Contents can include writings by visual artists; art by writers; poets as installation artists; photographers as poets, and the range of contributors moves from the well-known and up-and-coming to the unknown or forgotten.