 Under this new project, he explored and recorded traditional music, religious rituals, relationships between music and trance over the five continents.These 'experimental ethnography' films mark a clear departure from his earlier line of work on alternative and indie music scenes – the films are more subtle, the camera more quiet, the form evolves towards some unique bridge between the work of Robert Gardner and the recordings of Alan Lomax.Everywhere he went, he relied on local connections and never collaborated with standard production companies, instead working as much as possible with people who contacted him in the years of La Blogothèque.