 Resuming her career after the war, she sang Giorgetta in the first European performance of "Il tabarro" (1919, Rome), repeating the role in that year in Buenos Aires.She also portrayed Felice in La Scala's first production of Wolf-Ferrari’s "I quattro rusteghi" (1922), a role that became her favourite and in which she continued to appear until 1936.Her performances in verismo operas were said to be impulsive and, for their day, ‘shamelessly sensual’.