 This manuscript was in fact the focus of Roithamer's thousands of corrections, and it becomes apparent that it is being rewritten, “corrected” once again, this time through the voice of the narrator, who begins, ominously, to disappear into the language of the text.Roithamer’s story becomes increasingly obsessive and mad as it describes the construction of the Cone and the death of his sister.It concludes with the rationalisation of suicide, ending with the sentence, “The end is no process.