 Many artists of the times were losing interest in non-objective forms—Beck was not alone in seeking subjects that spoke specifically to his existential needs.The years of research into his family history and a desire to integrate his Alaskan awareness into his art finally led to his commitment to making masks – modern interpretations of traditional Inuit spirit forms – leaving the world of large, abstract public art commissions behind.As native Alaskan artists had gleaned inspiration and materials from the shores of Norton Sound, Beck scoured his urban environment – junkyards, hardware stores, the local five and dime – for the raw materials for his masks.