 The pieces were "Die Forelle" (1923), "Le Martyre de San Sebastien" (1923), "Mechaniches Ballett" (1926) and "Golem" (1937).In the Guardian review, Sophie Constanti wrote that 'Hilde Holger's choreography reaches the British stage at last and triumphs...Together all four pieces danced with great sensitivity and aplomb by Aggiss accompanied by (Billy) Cowie on piano provided a fascinating insight into the lost Ausdruckstanz of central Europe.