 The exhibits attempt, through a world of representations and suggestions, to play on the viewer's encounters with the quotidian worlds of the city, home and street by incorporating images of everyday objects, machine parts and ready-mades, available in the streets around the artist's surroundings in Mumbai.The assemblages suggest and embed traces of urban processing as the city itself serves as the artist's studio while the museum is infused with the performative qualities of the street.Between the teacup and a sinking constellation (2011)

Shetty creates hybrids that explore the possible overlap between Indian and Western traditions.