 Examples include "Le carnaval et la folie" (1703) by André Cardinal Destouches and "La vénitienne" (1768) by Antoine Dauvergne, a late reworking of the 1705 ballet of the same name by Michel de la Barre.A completely different use of the term "comédie-lyrique" as a sort of modern revival of the "comédie-ballet" is "Le piège de Méduse" (1913) by Erik Satie, which is a play in one act with seven short dances originally composed for the piano.Notes
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"Portions of this article are a translation of the equivalent page on the Italian Wikipedia"