 Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera.In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To day that is coming speaks it the day ...", is given to the soloists, who sing to each other.This trio section is repeated, leading to a choral repetition of verse 1, the second time a bit faster (Più allegro) and concluded by an elaborate fugue, crafted on its second part, "and the firmament sheweth his handywork".