 With the title pertaining to a theatrical terms as a claustrophobic "piece" of Satre, Abrahams integrates the virtual world and the performance device at a distance through the visual and audio recordings of a webcam clustered together to create a split screen.The objective of the piece was to test the levels of intimacy that can be gained from webcam sessions through a task based activity.The performers were then asked to create a single human face using the entire video frame of the webcams, made up of skins and bodies and evoking a sense of unity and intimacy despite the singular audio and visual capture of each performer.