 This critique had less to do with Orthodox conservatism, and more with left-wing anti-capitalism—as noted by art critic Mihai Rădulescu, Tudor was going through a "leftist drift".In 1932, "Floarea de Foc" acted as a platform for young communists to explain their revolutionary ideals.By 1933, Tudor was also putting out a political newspaper, "Credința" ("The Faith").