 She knows about this fascination and yet, she does not succumb to it.But she does not high-handedly assume to possess that Archimedean theorem or position which would allow her to expose the illusionary quality of photographic worlds of images.She knows, after all, that these worlds reflect social existence and consciousness.” Honnef noted that the artist had made use of “fragments of commercial imagery” (Versatzstücke kommerzieller Bilderwelten) when she created the works chosen for the exhibition.