 Many also highlighted the cinematography and commended Misawa for her "judicious work" and "charming frames lit up with an almost dream-like, soft light".Commentators such as Shilpa Jamkhandikar of Reuters and Mihir Fadnavis of "Firspost" were critical of the change of tone and hurried narrative in the film's second half.Although the latter was pleased by the film's first half, he thought that after a "glorious, powerful beginning, Bose fails to figure out a proper resolution".