 Gsovsky created choreographies that dominated the dance scene in Germany for 20 years, in a synthesis of classical ballet with elements of "Ausdruckstanz", including findings of psychology.She was the first to create choreographies of Hans Werner Henze's "Der Idiot" (Berlin, 1952), Carl Orff's "Trionfo di Afrodite" (Milan, 1953), Werner Egk's "Die chinesische Nachtigall" (Munich, 1953), Luigi Nono's "Der rote Mantel" ("The Red Cloak", Berlin, 1954), Henri Sauguet's "Die Kameliendame" (Berlin, 1957), Giselher Klebe's Menagerie (Berlin, 1958), Florian Leopold Gassmann's "Paean" (Berlin, 1960), and Boris Blacher's "Tristan" (Berlin, 1965).She staged the German premieres of Prokofiev's "Romeo and Juliet" (Berlin, 1948) and Weill's "The Seven Deadly Sins" (Frankfurt, 1960).