 The photomontages were studies that would later give him new ideas for large-scale canvases.In 1992 he transferred his studio to Pessano, an industrial site in Brianza.In the same year, Paolo Biscottini organized his second anthological exhibition at the Serrone di Villa Reale in Monza, with a catalogue tracing his artistic progress starting from the sixties (the catalogue is edited with Dario Trento, Maria Mimita Lamberti for Edizioni Charta, Milano).