 After that, he was able to publish his works under the aegis of Charles Spindler and, with the support of Gustave Stoskopf, participated in the Paris Salon.In 1894, the magazine "La Plume" arranged an invitation for him to exhibit at the Kunstgewerbemuseum Berlin.Three years later, he designed the "Nibelungenschrift" (a type font)., which was used for his monumental work "Die Nibelungen", displayed at the Exposition Universelle (1900).