".JazzTimes' Peter Margasak said "While some of Dixon's work takes the form of achingly gorgeous melodies that float like finely etched clouds over Oxley's jagged architecture, more often than not he's wringing a dazzling wealth of coloristic sounds and textures from his horn, playing its mouthpiece or a microphone as much as he plays the trumpet itself.By now his vast catalog of noises and effects, many of them altered with thick electronic reverb, has been well-documented-evocative smears, blurts, blubbers, grunts and sibilant streams of air-but Dixon's ability to shape them all into something musical remains an astonishing feat of magic.