 Lynn's contribution to the 1982 Wellington sculpture festival F1 Sculpture Project "Mantle", was an installation based around a rectangular construction made up of hair collected over several weeks from local hair salons.Another work using hair, "Stain", which gives the illusion of a stream of human hair trickling down the cathedral's marble steps, was installed for the 'New Art in Dunedin' project in 1984.Art historian Priscilla Pitts notes that 'Lynn frequently sought equivalents or proxies for the female body, and this led to a particularly inventive use of materials'.