 In "Guarden Gates", in one work, she set up a frisson by including a small amount of processed animal tissue as a metaphor for the human body.In "Lamella/Lamina" (1983), a sculptural installation of 15 fragile columns, Lynn used architectural drawing paper processed to create texture, the work itself being installed at Anzart in Hobart in response to threatened rain forest on the Franklin River.The artist said that the columns were, amongst other things, 'a metaphor for vulnerability, sensitivity, and how one toughens up as one gets older ... "Lamella/Lamina" reflects the layering and interconnectedness, of nature and culture, of skin surface, mind and the political.'