 Melozzo's majestic figure of Christ, with windblown cloak, demonstrates a degree of foreshortening of the figure that had also been employed by Andrea Mantegna, but was not usual in the frescos of Florentine painters.In "The Last Judgement" Michelangelo had the opportunity to depict, on an unprecedented scale, figures in the action of either rising heavenward or falling and being dragged down.In the two frescos of the Pauline Chapel, "The Crucifixion of St. Peter" and "The Conversion of Saul", Michelangelo has used the various groups of figures to convey a complex narrative.