 Many a picture of the "two-generation" or "from-child-to-woman" type would open with DeGarde as its child heroine and finish with Leah Baird, Edith Storey, or Dorothy Kelly rounding out the plot when the child had grown up.As the years grew, so did DeGarde, until finally she grew too large for little-girl-before-growing-up parts, and, with many sighs, her directors were forced to "pass her up" and cast anxious glances around for another promising child.Loath to part with their two clever little players, the company produced some exceedingly funny pictures enacted entirely by children about fourteen or fifteen.