 These works use propaganda images of the Cultural Revolution and contemporary logos from Western advertisements.Wang Guangyi began this cycle in 1990 and ended it in 2007 when he became convinced that its international success would compromise the original meaning of the works, namely that political and commercial propaganda are two forms of brainwashing.The series and installations VISA (1995-1998), Passport (1994-1995), and Virus Carriers (1996-1998) contain images of infants, grown adults and dogs accompanied by their respective names, places, dates of birth and genders.