 Breaking up the three note chromaticism and removing this symmetry by sharpening the 2nd or flattening the 7th note respectively by one semitone yields the harmonic major and Phrygian Dominant mode of the harmonic minor scales respectively, each of which, unlike the double harmonic minor scale, has a full diminished chord backbone.This scale (and its modes like the Hungarian minor scale) is the only seven-note scale (in 12-tone equal temperament) that is "perfectly balanced"; this means that when its pitches are represented as points on a circle (whose full circumference represents an octave), their average position (or "centre of mass") is the centre of the circle.Like most heptatonic (seven-pitch) scales, the double harmonic scale has a mode for each of its individual scale degrees.