 This was later taken to further lengths when Leeson introduced another three ‘Robertas’, by hiring other performers to enact her character.These ‘clones’ of Roberta adopted the same look and attire, engaged in some of Roberta’s correspondence and also went on some of Roberta (Leeson’s) dates.Towards the end, the ‘original’ Roberta, withdrew from her character leaving the three ‘clones’ to continue her work, until they were retired in a performance at the Palazzo dei Diamanti in Ferrara, Italy in 1978, during an exorcism at the grave of Lucrezia Borgia.