 Both Lombard and Worth became regular members of the stunt team for aerial sequences in later Bond films.When the stuntmen opened their parachutes at the end of every shoot, custom-sewn velcro costume seams separated to allow the hidden parachutes to open.The skydiver cinematographer used a lightweight Panavision experimental plastic anamorphic lens, bought from an old pawn shop in Paris, which he had adapted, and attached to his helmet to shoot the entire sequence.