 In January 2004, with Paul Mardles as editor since 2002, "Jockey Slut" changed to a quarterly while increasing its Internet presence, creating a webzine with daily updated content such as news, features and reviews.The print magazine featured more in-depth material and selected highlights from the quarter past and anticipating some from the next, with its publication dates chosen to coincide with key periods in the music industry like the Spring, the Summer festivals, the Autumn and Christmas/Year-end.Through its existence, "Jockey Slut" employed a group of staff and contributing writers which included British dance music writers, as well as providing review and opinion columns to people who managed a career in many aspects of dance culture, such as producers, musicians, DJs or label owners.