 Performed "freely" in the style of a mellow, 1950s girl group song, the ballad demonstrates Egan's sultry vocals.Adhering to the R&B motif Menken employs throughout the film's entire soundtrack, the pop song incorporates doo-wop.Featuring "cooing shooby-doos and sha-la-las" from the Muses, who perform "gospel-tinged" back up vocals and riffs on the track, Jeffrey Gantz of the "Boston Phoenix" compared Egan's "soaring" vocals girl group The Ronettes.