 A&M and Monument agreed to take turns releasing the duo’s LPs, and since it was Monument’s turn, longtime Kristofferson producer Fred Foster was back at the helm, but, as with "Full Moon", the emphasis was on an easy listening MOR sound aimed mainly at Rita’s lustrous vocal prowess.Although it was not the hit "Full Moon" had been, AllMusic’s William Rulhmann opines, “In any case, the album was a worthy successor to "Full Moon".The Kristofferson/Coolidge albums were very different from each artist's solo albums, though somewhat closer to Coolidge's because they consisted largely of cover songs and the keys were set to her voice, with Kristofferson singing at the upper edge of his narrow range.