 Swan believed that the game utilised the SNES' PSM chip to its fullest potential, and both he and Glancey agreed that the game's sound effects were "mindblowing".Thomas labelled the soundtrack "another one of Koji Kondo's classics," but in hindsight remarked that it was not as memorable as his earlier work.Goyon praised the originality of the game's soundtrack, and thought the technical contribution of the SNES allowed players to enjoy a "globally magnificent" composition.