 It then moved to Camillo's house in Turin, then to Genoa, only arriving in its present home (the Galleria Borghese in Rome) around 1838.Nude portraits were unusual, subjects of high rank usually having strategically placed drapery (though Canova did produce another of the Bonaparte family, with his 1806 "Napoleon as Mars the Peacemaker").It is a matter of debate as to whether she actually posed naked for the sculpture, since only the head is a realistic (if slightly idealised) portrait, whilst the nude torso is a neo-classically idealised female form.