 Zanelli earned a reputation as a workhorse while working as an engineer on the debut album from Goldfinger as well as Zimmer's Oscar Award-nominated score for "The Preacher's Wife".Zanelli's experience and desire to collaborate led him to work with British composer John Powell on his first Hollywood feature, "Face/Off".Throughout the following years he built the foundation for his scoring career, composing with Powell, Hans Zimmer, Harry Gregson-Williams and Steve Jablonsky on many feature films, including