 He also painted frescoes, considered his masterpiece, in the Cappella del Giglio (Cappella Neri, 1599) in Santa Maria Maddalena dei Pazzi.In his later works, he is considered one of the Florentine reformers—the so-called "Counter-Maniera" (Counter-Mannerism)—along with Santi di Tito, Domenico Cresti (Il Passignano), Lodovico Cigoli, Jacopo Chimenti da Empoli, Andrea Boscoli, and Gregorio Pagani.Among the painters he trained or influenced was Michelangelo Cinganelli.