 The first one is a restatement of the middle section's opening transposed to the tonic G major.The consequent of the second period contains a brilliantly swooshing, widely positioned arpeggio for both hands (bars 79(83) and is pianistically attractive.Its effect is based on the accent enforced by a third at the beginning of each triplet, as well as on the tenth and eleventh stretches of the left hand and the ascending bass line covering the entire range of the keyboard.