 He provided Christopher Lee's celebrated makeup for Hammer's "The Curse of Frankenstein" (1957), whose "monster" had to be memorable and terrifying without infringing the copyright on Universal's earlier makeup, created by Jack Pierce for Boris Karloff.Leakey created make-up for "Dracula" and "The Revenge of Frankenstein" (both 1958) before leaving Hammer, disgusted by the cost-cutting measure by Hammer's associate producer, Anthony Nelson Keys, of revoking his retainer.His assistant, Roy Ashton, took charge of Hammer make-up from then onwards.