 Yet composers such as Gounod and Bizet had already begun to introduce Wagnerian harmonic innovations into their scores, and many forward-thinking artists such as the poet Baudelaire praised Wagner's "music of the future".Some French composers began to adopt the Wagnerian aesthetic wholesale.These included Emmanuel Chabrier ("Gwendoline", 1886) and Ernest Chausson ("Le roi Arthus", 1903).