 Musicians such as Baro and Matelo Ferret (both of whom were sometime-members of the Quintette du Hot Club de France), Etienne Patotte Bousquet, and Tchan Tchou Vidal kept the sound of the Quintette alive, often mixing musette waltzes and traditional tunes with the American popular songs and original compositions favored by Django and Grappelli.In 1973, British guitarist Diz Disley helped persuade Grappelli to return to performing with an all-strings jazz group inspired by the Quintette du Hot Club de France, and Grappelli toured and recorded often using this format during the 1970s.Simultaneously, a revival of the Quintette's sound by a younger generation of artists was underway, with musicians like Fapy Lafertin, Raphaël Faÿs, and Biréli Lagrène helping to establish the Gypsy jazz subgenre as a popular style worldwide.