 "The New York Times" also spoke well of "Bath Party", comparing Dohan to "a younger, prettier, blonder Rosanna Arquette", noting it as an essentially a one-woman show which "focuses on her not particularly interesting efforts to jump-start an American career, complete with film and television clips, circumlocutory monologues and, perhaps most important for this particular performer, multiple opportunities to reveal her appealing anatomy", and also praising the work of the few others in the cast.Of Dohan's work in the Anthony Neilson play "Stitching", "The New York Times" wrote "With an actress as extremely gorgeous as Meital Dohan and a script that requires her to thrash around in ways most often seen in straight-to-video steamers, you would think that "Stitching" would be heating up the Wild Project theater to the boiling point.