 The film provided a venue for criticism of Russia, but also depicted Vladimirescu as an early champion of nationalization.During the 1970s, following a revival of historical fiction, the revolt was a subject matter for Paul A. Georgescu, with a critically acclaimed novel, also named "Tudor".Later film productions dealing with the events include the 1981 Ostern "Iancu Jianu, haiducul", which also modifies the historical narrative to endorse the regime's theses.