 The company was renamed Baldwin-Burns (latterly Baldwin) and released three amplifiers at the NAMM Show of June 1965.Collectors insist that the Baldwin-era instruments were somehow inferior to those produced before the takeover, but with the exception of some newly-introduced models, the quality standards on models like the Marvin, Jazz Guitar and Shadows bass remained consistent, with only minor cosmetic differences and the Baldwin badge to distinguish them from the Burns-branded era of production.For a short time, existing stock was rebadged (initially as 'Baldwin-Burns', then simply 'Baldwin') by the simple expedient of inserting a routed nameplate into the pickguard, from which the earlier Burns routing had been excised.