 He terms Suzy's "Everybody's Got a Home but Me", a "gorgeous ballad of yearning".During rehearsals and even during the run of the show, the music was repeatedly revised by Rodgers in an attempt to gear the songs to Traubel's voice.According to Bruce Pomahac of the Rodgers & Hammerstein Organization, "as she began to get cold feet about what her New York fans would think about her as a belter, the keys of each of her numbers edged upward."