 In fact, Segovia's Santos Hernandez (Ramirez) guitar from 1912, has a slightly different sound aesthetic, than the earlier Torres design.While the Torres is a guitar that some consider more appropriate to the salon style music of Tarrega, Arcas or Llobet (or arrangements of Granados, Albeniz), the later romantic-modern style of Moreno Torroba (whom Segovia met in 1918), Castelnuovo-Tedesco (whom Segovia met in 1932), etc.—combined with requirements of performing in large concert halls—was uniquely suited to Segovia's performance on the Santos Hernandez and later on the numerous Hauser guitars (1929, 1931, 1937, etc.