 She continued her studies of the body, in motion this time, in the practice rooms of the Royal Ballet.Over the next twenty years she painted images of Fonteyn, Rudolph Nureyev, Antoinette Sibley and other dancers that developed a vivacious new language of movement.In 1961 she worked from the figure and landscape in Nigeria shortly after its Independence, at the Zaria Art School with the artist Clifford Frith (grandson of William Powell Frith).