 Motifs that we know from Passion cycles are applied to the psychological dispositions of contemporary existence, sometimes as the expression of an apathy that appeals to the empathy of the beholder.Historically overwhelming pictorial subjects are transferred into the present day, while at the same time triggering a discussion of the media conditions in which pictures are produced today.As a result of the use of language and lettering, a further plane penetrates into the drawings of Muntean and Rosenblum and gives insights into the complexity of the challenges which a subtle medium such as drawing has to face up to today.