 However, she never abandoned the more traditional flamenco songs, which form the greatest part of her discography.Even though she was a link between the traditional flamenco of the 19th century and the revival of traditional forms after the ópera flamenca period, as she kept many alive traditional songs and styles that were about to disappear, she was skeptical about the work of resurrection and classification of songs carried out by Antonio Mairena or Juan Talega.In her view, songs like the "soleá de la Serneta" were never the same thing in the voices of different singers, and they were but outlines used as basis for singers to improvise and create.