 Like Leonard Borwick (another Clara Schumann pupil and accompanist in lieder to Harry Plunket Greene), she 'embodied in a remarkable degree the unique qualities of the romantic school of which ... Clara Schumann was admittedly the most spontaneous and finished exponent.The success of these two native artists was destined to afford great encouragement to rising students both in England and on the continent.It also helped to create among the general mass of amateurs a taste for pianoforte playing of a more warm-blooded type than had hitherto satisfied them', wrote Herman Klein in c. 1891.