 Quentin's son, Jan Matsys, inherited the art but did not seek to expand upon his father's legacy.The earliest of his works, a "St Jerome" dated 1537, in the gallery of Vienna, as well as the latest, a "Healing of Tobias" of 1564, in the museum of Antwerp, are evidence of his tendency to substitute imitation for originality.Another son, Cornelis Matsys, was also a painter.