 For some years until 1919 they were kept in the Galleria dell'Accademia, another government museum in Florence.Although there are ancient and modern texts that are relevant, no single text provides the precise imagery of the painting, which has led scholars to propose many sources and interpretations.Many art historians who specialize in the Italian Renaissance have found Neoplatonic interpretations, of which two different versions have been articulated by Edgar Wind and Ernst Gombrich, to be the key to understanding the painting.