 After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci.However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like.She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind.