 Michelle Kuo, writing for Artforum, described the interventions as a challenge to the “staid and uniform” methods of contemporary curation.Coverage in the Los Angeles times was more critical, commenting that Fischer’s work was largely derivative of artists that came before, such as Robert Gober, Marcel Duchamp and Bruce Nauman; and that the art world satire felt hollow considering that the vast majority of works were loaned from private galleries and collections.Fischer's installations and sculptures have been exhibited in some group exhibitions and biennales worldwide, including Manifesta 3 and the Venice Biennale in 2003, 2007, and 2011.