 Having also made his debut in Romanian drama with the printed version of his "theatrical paradox" "Antractul" ("The Intermission"), Aderca left for France during the same year.He attempted to start a new life in Paris, but was unsuccessful and only one year later returned to his homeland.During this interval, in March 1914, "Noua Revistă Română" published one of his early critical essays, marking the start of Aderca's flirtations with Symbolism in general and the local Symbolist circles in particular