 Many portraits were painted after death, and sometimes dead family members were included along with the living; a variety of indications might be used to suggest the distinction.The large Baroque tomb monument continued likely to include a portrait of the deceased, and was more likely to include personified figures of Death, Time, Virtues or other figures than angels.The late medieval "transi" tomb vocabulary of images of bodily decay, such as skulls and skeletons, was sometimes re-introduced, but in a less confrontational manner.