 The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g.Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the absurd and the limits of thought.Cavell's framework is seen as a distinctive way of approaching film and philosophy since question of style - the finding of words adequate to our aesthetic experience - is central to the understanding of the meaning of films.