 On the occasion of her 2015 solo show at Lincoln Center's "Art of the Real" series, Richard Brody wrote in The New Yorker about the film, praising its ingenuity of form.Kate Haug wrote in a review of the film, "Given the late ‘80s art world trends of appropriation and the ever-growing experience of simulacrum, it is not so shocking that an innovative filmmaker would take on celluloid cloning" and continued to state that "by creating a replica film of the ‘60s she [Subrin] harnesses the remake's amorphous quality of time to deftly address contemporary politics.