 In the minds of the Madí artists, "Concrete art was worthy as a contribution to social liberation" because it helped its audience grasp true reality while standing against the concepts, connotations and feelings associated with art.To state this differently, exposing people to what is actually reality allows people to eventually confront myths perpetuated by the bourgeois that has suppressed revolution.Madí is perhaps the sole remaining art movement which can boast of a half-century of uninterrupted activity since its creation in Buenos Aires in 1946.