 She was considered a fine, light lyric soprano with good technique and capable of reaching high notes easily; she was frequently compared with Adelina Patti, who had a similar voice.She did most of her recordings between 1923 and 1929, and recorded many selected arias from various works, but never complete operas.She also sang the title role in "Esclarmonde" at Opéra Garnier during a short-lived revival of that opera between 1931 and 1934.