 the Orastie bracelet); the third is the fir-tree motif, where the rounded lobes become straight lines resembling a fir-tree branch; and the fourth whose shape preserves only the medial vein and the circles, suggesting the spiral arching of the lobes (e.g.the Feldioara bracelet).The palmettes are more precisely outlined and more faithfully preserve the original lobes and palmette character, with several bracelets such as those from the Cluj Museum, Hetiur and Ghelinta.