 She sang frequently at the Opéra-Comique throughout the rest of her career, notably appearing in several world premieres with the company; including Gabriel Pierné's "On ne badine pas avec l'amour", Alfred Bruneau's "Le Roi Candaule", and Erlanger's "La sorcière".Between 1908-1910 Chenal made a number of lauded appearances at the Opéra de Monte-Carlo, including the title roles in Camille Saint-Saëns' "Proserpine", Alexander Dargomyzhsky's "Rusalka", and Giacomo Puccini's "Tosca" among others.She later returned to Monte Carlo in 1926 to portray the title role in Georges Bizet's "Carmen".