 Subjects of her paintings were still lifes, interiors and especially landscapes.She painted at Saint-Jean-de-Monts in Vendée beside Auguste Lepère, at Fontainebleau, Vendôme, Chartres, then in Paris, where she and her husband, Paul Tuffrau, a man of letters, have successively inhabited, in Gironde in the little village of Plassac, and above all in Brittany, which immediately won her heart, particularly at Le Pouldu (1924–1939), and in the region of the Pointe du Raz and the baie des Trépassés (1937–1947).She realized oil paintings, but more and more was attracted by watercolour, more spontaneous for her.