 In doing so De Bromhead makes a case for a kind of documentary storytelling that cannot be constructed through words alone but weaves together image, sound, action and structure to produce meaning.She says that in contrast to Nichols, whose position appears to be that documentary is first and foremost informative, the real aim of documentary story telling is filmic pleasure.The story for her is an interplay between the filmic self and objective world as mediated by the filmmaker.