 The performative mode is also manifested in ethnographic film, such as "Incidents of Travel in Chichen Itza" by Jeff Himpele and Quetzil Castaneda.In this visual ethnography of cultural event of the spring equinox involving new age tourism at a sacred Maya site in Mexico, the ethnographers both document the event and provide an ethnographic questioning of the meanings that are projected on the physical heritage objects that attract 50,000 tourists to the equinox at Chichen.In this film, unlike the performative documentaries of Michael Moore in which there is a specific take away message and argument, the ethnographic filmmakers create an open-ended, polyphonic film in which the audience is provided greater opportunity to define the meanings, messages, and understandings of what the film represents.