 He immediately became one of the most important and enigmatic theatrical voices in Britain, his work being noted as having power and authority by "Time Out" magazine, while "The Guardian" compared his production of "To Rhatid" to writing like "Samuel Beckett" on amphetamines.In 1996 he received rave reviews for his first London production "To Rhatid", directed by Yvonne Brewster and performed by Angela Wynter, produced by Talawa Theater at the Young Vic Studio Theater.In 1998 he wrote the famous Jamaican story "The White Witch of Rose Hall" and the world premiere was produced in Jamaica as part of the University of the West Indies 50th anniversary at the Philip Sherlock Centre and directed by Brian Heap.