 Yet, because of the other elements which go into the making of Persian modes, probably no melody in the major mode can be said to be in the mode of "Māhur".A far closer analogue from an intervallic standpoint is the Obikhod scale (widespread in Russian medieval Znamenny chant and folk song) and the Jewish Adonai malakh mode.The modal structure of "Māhur" is shown below for "Māhur C"