 Obviously, rather than making post-modernist quotations and providing a symbolic content to the paintings, so characteristic for the painters from the circle of the Tvrdohlaví group, Kvíčala was more interested in probing the possibilities of the painting medium itself.The orderly inner arrangements of Kvíčala’s work is determined by employing lines approached as ornaments.Of these, the undulating line – a rhythmic painterly gesture in time – if featured most often.