 Since the second half of the 1980s Kvíčala’s work was supported by theoreticians Petr Nedoma and Jiří Valoch and he started to be repeatedly invited to participate in exhibitions of professional artists.In 1986 Kvíčala entered the underground music scene with his band called Květen (May), working on the basis of minimalism and musical and political irony, what are themes which correlate with author’s painterly work of that time.In 1989 he became a member of the art group Měkkohlaví, which was formed in response to the emergence of various artistic groups, lacking a common program, whose main objective was to promote commercially.