 In the Wallpapers (1987–1988) and Festive Tablecloths for Everyday (1992–1994) cycles he balanced on the hard-to-define line between ornaments on utility objects and artistic expression.He also emphasized manual, and therefore imperfect, reproduction of the ornamental rhythm.However, at the initial level, Kvíčala is not concerned with a post-modern game of aligning various languages, but rather he wishes to rehabilitate ornament as such.