 Apollo, dressed in a tunic and short cloak, advances towards his left with his right arm outstretched and bent (his left arm is towards the ground, perhaps holding a bow); Heracles, with the doe tied around is outstretched towards the right, leaning forwards to attack with his bludgeon and with his torso in a violent curve.The group was conceived for a lateral vision and the solid volume of the figures united with the dissymmetry both in Apollo (the torso and face) and in the Heracles torso suggest that the artist understood optical deformations.The style of the statues is in the ambit of the “international” Ionic style that characterizes the Etruscan artistic culture of the late 6th century BC.