 This complexity is enhanced by Greaves's editing techniques, including split screens displaying two or even all three perspectives at once, but in simultaneous split screens, to further the use of simultaneous footage about the same sequence but from three different perspectives.Through all of this, Greaves creates a circular meta-documentary about a documentary, a documentary about a documentary, and a documentary documenting a documentary about a documentary.All of this is Greaves's attempt to capture reality on film, using cameras in the right places at inopportune moments to discourage any short improvisations or unnatural events that might take place.