 McCartney interacts with members of the general public aboard the train and in the station, signing autographs, accepting a kiss from a female fan and leaving a tip for the violinist.In the final shot, he is seen riding the escalator up out of the Underground.Writing for AllMusic, critic Stephen Thomas Erlewine stated that the track "is a terrific mid-'80s drum machine-driven slice of synth-pop, utterly featherweight in the best possible way."