 The notations were made while Petipa himself taught and rehearsed the great Anna Pavlova for her début in the title rôle.Today, this notation is part of the Sergeyev Collection, a cache of notations and other materials that document many of the works in the Imperial Ballet's repertory during the twilight of the Russian Empire.In 2001, director Brigitte Lefèvre asked French choreographer Pierre Lacotte to produce a revival of the full-length two act "Paquita" for the Paris Opera Ballet.